SANDSTONE GALLERY

COMMUNITY ART PROJECT is pleased to showcase the art of Barbara Bond, Sherry Salito-Forsen and Christopher Paul Scardino during March 2026 at Sandstone Gallery.

CAP’S MISSION STATEMENT is to increase the visibility and appreciation of art and serve as a catalyst for art education.

Community Art Project (CAP) is a non-profit arts organization established in 1998. Among the founding directors were former members of the Laguna Beach Arts Commission, whose vision was to fill needs not met by existing City and private art organizations, including the facilitation of placing artwork on privately owned sites. Since its inception, CAP has partnered with dozens of artists and private property owners in the downtown area to install sculptures and murals in public view.

Be sure to see CAP’s latest mural installation Ripple Effect, dedicated in February 2022, at 328 Glenneyre at the corner of Mermaid Street. This colorful mural was created by Timothy Robert Smith with 14 students from his mural art class at Laguna College of Art + Design.

CAP also curates art exhibits at locations within Laguna Beach to showcase area artists. Contact us if you have an exhibit venue, are an artist wishing to be considered for exhibition or a public art installation, or to offer ideas on private property sites for future art installations. Learn more at caplaguna.org

SHERRY SALITO-FORSEN

Sherry Salito Forsen has been working with glass since 1976. She originally started her glass career working for a stained glass studio and creates fused glass art.

Assisted by her talented husband, this has opened up many exciting new avenues of expression and creativity. They are currently exploring multi-media collaborations. Their studio provides original, one-of-a-kind kiln formed glass for public, private and corporate spaces. Studio services range from initial conception to the fabrication and sometimes installation of the final artwork.

https://www.glassicart.com

CHRISTOPHER SCARDINO

I started my journey at 25 when the death of my father toppled my world up to that point. Without an art background whatsoever, I began to draw and paint and struggle with my grief. I needed this, whatever it was. After finding my way to the Laguna College of Art & Design in Laguna Beach, California, I was on the path to what would be the great passion of my life. I thrust myself into this world that was foreign to me and embraced every step. After studies in Classical Realism, I graduated in 2002 and exhibited in many galleries from Laguna Beach to North Carolina. I found that the non-objective world held more for me than merely copying what was before me.

Abstraction, in all its forms, became my vehicle to express what I was incapable of saying out loud. This fire, grief, exhilaration and curiosity is still with me today and possibly even to a greater degree as time passes. I enjoy the process of problem-solving, even if it’s me who is creating the problems.

I explore soft and hard edges, bold and passive color, areas of a work that may be quiet or quite agitated and loud. The masculine and feminine counterparts play a role in my work. I feel the weight of color, line and light and the need to find an equilibrium for the piece, but also for myself.

With more and more frequency, I enjoy the idea of making something from nothing. Something vital. Something alive. Something to engage the viewer. Something.

https://www.scardinofineart.com

https://www.instagram.com/scardinofinearts.com

BARBARA BOND

As Barbara states, “We are surrounded by bold and delicate, hard and soft, light and heavy in our everyday lives. I was once asked why I decide to put a metal saw blade next to a fragile piece of textured glass. I responded that it was the same reason I love to lift heavy weights and wear high heels. I love the juxtaposition and the contrast. My art is a reflection of how I live my life.”

https://www.Instagram.com/barbara_bond_art

BIO

As long as I could remember creativity has been a big part of my life. Early classes in music and painting ignited a life long journey and opened up a pathway that I continue to explore. Wanting to blend art and business, I graduated from California State University of Long Beach with a BFA in Illustration and Marketing. I chose the business end of the art industry and I have been fortunate enough to represent some of the most talented commercial artists in the business. Their talent has contributed to the visibility of some of the most iconic Brands. Covid created “unexpected’ free time which enabled me to rekindle my passion for creating. Experimenting and playing with various mediums and techniques lead me to to abstract work . I love the freedom to express myself. Living in Southern California for the majority of my life enjoying ocean, desert and mountains has a huge influence on my life and ultimately my art.

ARTIST STATEMENT

“My work reflects my internal response to the natural elements that surround me from the shifting light to pieces of nature that draw me in…leaves on the ground, kelp washing up on the shore, pedals that lay on the concrete.  

Textures and patterns invite me to interpret them using mediums that I love including paint, inks, water soluble pencils and the irresistible colors and textures of pastel. My work is a spontaneous process starting with a loose idea and moving in present time laying down intuitive marks, brush strokes and color themes; each mark and brush stroke leads to the next intuitive expression. Dark, light and movement are often a recurring theme in my work, showing the depth, tension and diversity that often reflects are complex lives.

csperlow.com

Instagram.com/Carrieperlow

Facebook.com/carrie.perlow.5

Bio

My visual life began in Cleveland, Ohio with visits to its museum and drawing classes in its galleries and in a house in whose basement my mother began to paint late in life. After finishing college in Boston I took drawing and painting classes in the evening programs at the School of the Museum of Fine Arts Boston and Mass College of Art and worked on large, abstract canvases in a studio in a warehouse building in Somerville, MA. I found my way to printmaking with a group called EES Arts in downtown Boston where I experimented with traditional etching and aquatint techniques and simultaneously created a series of three-dimensional pieces I called “Twentieth Century Reliquaries” from Styrofoam packing shapes in an homage to Joseph Cornell. Moving to Irvine, CA in 1998 I found the Irvine Fine Arts Center and thanks to classes there I was pointed back to printmaking on a smaller scale and introduced to the techniques I use today in my studio.

Artist Statement

The practice of art in any medium I have tried has always been non-verbal – in general I do not start with the aim of depicting a specific narrative. With each new piece I explore the basic elements of composition and color with the goal of creating a whole to draw the viewer from a two-dimensional surface into a three-dimensional space. As a printmaker my imagination is stirred by many stimuli - the expanse and subtlety of the palette in landscape, aerial photography, industrial and mechanical shapes and textures, the physicality of decay, translucence, reflections, the ambiguity and depth of space, and the transformative quality of light.

I have found that using two printmaking techniques, silk aquatint and collagraph, provides rich color, subtlety of edge and intersections, and the means to create and depict layers which when combined convey mystery.

My plate creation is very deliberate, juxtaposing various textures, shapes, disparate materials (glue, textured papers, modeling paste, sand, matte varnish, photo negative strips among others) all set on an underlayment of prepared polyester silk. I have recently started experimenting by using corrugated cardboard as my plate surface or inking cardboard shapes which I add to a print in a subsequent reprinting. These are the aspects of the printmaking process which I can organize and control.

Against these are the aspects of the process which are outside my complete grasp – the intensity and degree of inking and wiping, the interaction among ink layers, the dampness of the paper, the slow degradation of the plate surface as the plate is repeatedly inked, printed, washed, and the degree of penetration by the roller into the collage and the silk on each plate. That tension between control and surprise in the printmaking process continually rewards and challenges me.

All of my prints are unique. I am able to obtain multiple slightly different prints from each plate in a series, but each individual print within a series is inked differently.

https://www.Lesliearnoldart.com

https://www.Instagram.com/Leslie.Arnold

BIO:

With degrees in both Fine Art Design and Biology/Chemistry  Linda Brooks is a mixed-media artist whose work bridges a lifelong engagement with the arts and sciences. Originally from Brooklyn, New York, Linda pursued a career in clinical laboratory science after relocating to Southern California. Throughout her professional life, she remained deeply connected to the visual arts, exploring drawing, painting, printmaking, mixed media, and jewelry making. Now working full-time as an artist from her home studio in Tustin, California, Linda creates mixed media abstract works that incorporate a range of printmaking techniques and layered materials. She has exhibited in local galleries and many juried shows.

ARTIST STATEMENT:

I am drawn to the interplay of perceived opposites. My work often begins with an initial shape and evolves intuitively from there. I gravitate toward a neutral palette and subtle textural details, with movement playing a central role. I explore transitions, tension, and connection—captivated by the push and pull between subtlety and dynamism, the organic and the geometric.

I love surprises. I love creating art in the moment. I’m energized by juxtaposing ideas and discovering smaller compositions within a larger emerging piece. Each work is a conversation between intention and spontaneity.

www.LindaBrooksArt.com

https://www.instagram.com/lindabrooksart

TRACES

Artist Statement

Everything inspires me to paint, particularly the details of my surroundings, up close designs of nature and fondation of my Art..

The imperfections of the landscapes are a reflection of our actual world and working from this idea encourages exploration and leads to multiples possibilities.

It is a never ending experiment and the ultimate meditation when your imagination and your sensitivity take over.

My education in Architecture Drafting has a strong influence in my Art, mix of structural shapes and loose strokes of the brush to discipline the painting.

Dominique-art.com

Https://Instagram.com/dominique_mc_kenzie

Artist Statement

“Stories from the Shore”

My upcoming body of work invites viewers into the sun-drenched rhythms of life along the Southern California coast—a place where memories are made in the sand and stories unfold between sea and sky. This collection celebrates the playful spirit of beach life: children digging with red buckets, colorful umbrellas casting lively shadows, and seabirds dancing at the water’s edge.

While the subject matter is rooted in familiar coastal scenes, the true voice of this series emerges through my use of vibrant color and expressive brushwork. Each painting captures not just a moment, but a mood—a flicker of childhood wonder, the warmth of the sun, or the hush just before a crashing wave. These works are painted from both life and memory, guided by an emotional response to light, shape, and movement.

I hope these pieces stir a sense of nostalgia, joy, and connection—reminding us of the simple beauty that surrounds us and the stories waiting to be told in every tide.

— Toni Danchik

https://www.Tonidanchikfineart.com

https://www.Instagram.com/Tonidanchikart

https://www.Facebook.com/Tonidanchikfineart

My journey is a tapestry of resilience and inspiration, deeply intertwined with the beauty inherent in every fleeting moment and enduring imprint of existence. My narrative began to unfold when a life-altering incident left my sister in a new, paralyzed reality, marking me with a profound awareness of life's fragility and ephemeral essence. This awakening became my catalyst, urging me to live in the full embrace of the present, seeking and creating beauty in every fold of existence.

This realization ignited my transformation and healing. It allowed me to interpret my intertwined thoughts and emotions through my expressive hands, with art becoming my sanctuary and sacred space where my soul dances freely, painting my stories, vulnerabilities, and revelations. It's a healing practice that blooms in the delicacy and resilience reminiscent of the hummingbird, extracting the sacred nectar of existence with tender precision.

My quest is a continuous exploration of the 'now,' a vivid reflection of the marvels I uncover in nature. Through the symphony of colors that narrate my travels, the evolving landscapes, and the ever-changing tapestry of existence, I strive to share my perspective on life's preciousness and impermanence, constantly reminding myself of my own Memento Mori.

I explore the transient nature of motherhood and my place in this fragment of history. I view my art as a profound exploration of life's intricate tapestry, its beings, its dance between exquisite beauty and inevitable death, and its healing symphony intertwining all senses.

I immortalize my thoughts, emotions, and visions through diverse mediums—paint, paper, fabric, or thread—often incorporating elements symbolic of nature, time, life, and death. My practice includes the mindful integration of discarded materials, a symbolic act of mending and reviving, and a statement against the fleetingness of existence. These symbolic motifs and objects become bridges to the past, creating dialogues with ancient times as an antidote to life's impermanence.

My artistic journey is my ode to the temporal and the eternal, a dance between the frugality of time and the boundless spirit within us. It's my conduit for communicating the myriad emotions ripple through my being, a therapeutic whisper that harmonizes my soul. In my creations, the sacred purpose of beauty finds its saga, a sublime symphony of shadows and light, a resilient masterpiece rebuilt from the wreckage of life's profound moments, drawing forth the sweet nectar of meaning and connection.

https://www.Gabrieladomville.com

https://www.instagram.com/Gabrieladomvilleart

Artist Bio

I. Angelov is a self taught abstract painter and a professional animation artist, based in Long Beach, CA.

Angelov discovered his passion for abstract art at his first job, working at the National Puppet Theater in Blagoevgrad, Bulgaria. He started his artistic career as a set designer and marionette maker apprentice, under the guidance of the renowned Bulgarian scenographer and abstract painter - Plamen Bonev.

In 2003 Angelov graduated from the Laguna College of Art & Design, CA and ever since he’s been working in the LA animation Industry as a storyboard artist, layout artist and assistant director on shows such as Family Guy and The Simpsons, among others.

In his personal work, his main influences are Christo, De Kooning and The CoBrA Art Movement of the late 1940s.

He works mainly with Acrylics and Mixed Media, using varying textures and collages. His paintings are bold, animated, yet gentle and subtle.

Color, shape, texture and line interlock to create a sort of colored map, a multi-chromatic guide for the fellow traveler.

https://www.ArtOfAngelov.com

https://Instagram.com/art.of.angelov

ARTIST STATEMENT

Excavation of surfaces inspires me, both in the physical process and the metaphorical meaning. I build up layers then sand and scrape back areas to reveal what lies beneath. There is always an element of chance-the happy accident that evolves into a more clear image. As each unexpected shape and texture emerge, it points me in a new direction-a push and pull of discovery.

The previous owner of a flat I lived in for many years had known David Ireland and was very influenced by him when he painted the place. He sanded back parts of old plaster and paint to reveal Victorian wallpaper-but just the smallest glimpse of it, a tiny rosebud, juxtaposed against aging plaster that still had cracks and distressed surfaces. The home's history was intact and adored. During my decade there, I adored it too. I believe this led to my interest in photographing crumbling walls, graffiti covered over by event posters, covered over again by more paint creating abstract compositions and beautiful textures. My painting process is much like this. The paintings I've been doing reflect this idea of revealing layers of color and texture without planning and concept, just a response to the materials and what is happening in the painting as it evolves. Of course, composition and color are important. I want the viewers eye to move around the image and be as delighted as I am in its creation.

Karen Johnson

https://www.karenjohnsonart.org

https://www.Instagram.com/Patternsfound

ARTIST STATEMENT

I have always viewed the world through a prism of color, texture, and light. My eyes instinctively arrange and create visual order. When I began working in collage, I knew I had discovered the perfect medium for my voice. I find joy in the ongoing experimentation of merging collage with painting. The intersection of fine arts and crafts continually fascinates me. I elevate traditional craft materials and techniques by thought- fully creating compositions that are modern and fresh, using both familiar and timeworn elements. Lately, I have been developing unique collage materials that bring a personal and original perspective to my work.

Vintage. Modern. Graphic. Textural. Complex. Ordered. Colorful. Earthy. Architectural. Organic.

I harness and arrange the ephemera and curiosities I collect and covet, elevating the mundane and challenging the expected with a diverse and direct visual vocabulary. My voice is authentic, with a clarity and vision that is singular and resolute. I take pride in sharing my work with others, opening their eyes to new ways of perceiving everyday materials and deepening their emotional connections to the relics and keepsakes of their personal histories.

BIO

Katherine, a native Californian, has been an adopted Oregonian for over 30 years. She earned a BFA with an emphasis in design from California State University, Long Beach. Katherine has worked as an interior architectural, graphic, and lighting designer in San Francisco, Los Angeles, and Portland, Oregon. In 2009, she returned to her fine art roots and has since exhibited in numerous shows and galleries across Oregon, California, Wisconsin, and North Carolina. Her work is featured in corporate and private collections throughout the United States. Katherine paints and creates from her studios in Lake Oswego, Oregon, and Indian Wells, California.

https://www.Katherinemead.com

artist bio

As a lifelong artist, Samuel Perry is always looking for the next opportunity to translate his everyday experiences into artistic expressions. Since 2014, he joined the San Diego art community and has been gaining increasing acclaim.

His approach and output are constantly evolving as he hones his personal style. However, currently focusing on abstract, he works hard to ensure he doesn’t repeat himself. No matter what, Samuel approaches each work with complete enthusiasm and total dedication.

His passion for connecting personal history and significance through visual artwork drives his love to create and share on canvas. Samuel's work has been included in juried exhibitions in San Diego, Orange and Los Angeles county, and is included in personal collections around the nation.

https://www.Samuelperryart.com/

https://Instagram.com/Samuelperryart

Biography

I am a painter from Saguenay(Quebec) and I have been making art since I can’t remember. Following my secondary schooling in Visual Arts, and my college certificate in Arts and Letters (Cinema and Communication), I was admitted to the Bachelor of Fine Arts program at Concordia University in Montreal to study Film Animation. During my second year,

I was selected for an international exchange program in San Diego, California, where I rediscover the art of painting. At the end of the program, I was awarded a scholarship from the
Mel Hoppenheim School of Cinema for my excellent work.

After finishing university, I gave myself the most beautiful gift; time to perfect my art with a master in his field, one of the most influential artists of his generation in Quebec, my grandfather, Claude Grenier, graduate of the École des Beaux Arts in Quebec. Since then, I have used my grandfather’s valuable insight to guide me on my own artistic journey.

Through figurative and abstract works, my paintings are a reflection of my travels, my surroundings, and the people who inspire me. The live model drawing classes I took during my studies in San Diego, California were illuminating and significant in my artistic approach. Still today, I am continuing to perfect the body, its curves and faces.

In each of my works, I aim to arouse the emotions and stimulate the imagination of each collector. At the same time, I strive to experiment with new techniques and push my creative boundaries to offer unique visual experiences.

Through the use of vibrant colors and rich textures, my work embodies well-being, confidence, and strength in all of its forms. In addition to mixed media canvases and watercolour illustrations, I have created a unique collection of environmentally friendly and high-quality products, which are all made in Quebec and inspired by my own pieces of work. You will find decorative cushions, t-shirts and hoodies that will excite any art lover. A wallpaper collection is also coming soon!

Https://www.Annlocreations.com

https://www.Instagram.com/Annlocreations

TENSION

Artist Statement

Everything inspires me to paint, particularly the details of my surroundings, up close designs of nature and fondation of my Art..

The imperfections of the landscapes are a reflection of our actual world and working from this idea encourages exploration and leads to multiples possibilities.

It is a never ending experiment and the ultimate meditation when your imagination and your sensitivity take over.

Dominique-art.com

Https://Instagram.com/dominique_mc_kenzie

BIO

As long as I could remember creativity has been a big part of my life. Early classes in music and painting ignited a life long journey and opened up a pathway that I continue to explore. Wanting to blend art and business, I graduated from California State University of Long Beach with a BFA in Illustration and Marketing. I chose the business end of the art industry and I have been fortunate enough to represent some of the most talented commercial artists in the business. Their talent has contributed to the visibility of some of the most iconic Brands. Covid created “unexpected’ free time which enabled me to rekindle my passion for creating. Experimenting and playing with various mediums and techniques lead me to to abstract work with a particular affinity for Pastel work. I love the freedom to express myself. Living in Southern California for the majority of my life enjoying ocean, desert and mountains has a huge influence on my life and ultimately my art.

ARTIST STATEMENT

“My work reflects my internal response to the natural elements that surround me from the shifting light to pieces of nature that draw me in…leaves on the ground, kelp washing up on the shore, pedals that lay on the concrete.  

Textures and patterns invite me to interpret them using mediums that I love including paint, inks, water soluble pencils and the irresistible colors and textures of pastel. My work is a spontaneous process starting with a loose idea and moving in present time laying down intuitive marks, brush strokes and color themes; each mark and brush stroke leads to the next intuitive expression. Dark, light and movement are often a recurring theme in my work, showing the depth, tension and diversity that often reflects are complex lives.

csperlow.com

Instagram.com/Carrieperlow

Facebook.com/carrie.perlow.5

ARTIST BIO

California native, Jennifer McHugh, is an abstract artist who captures the moments and nuances of the everyday, and brings them to life through a visual narrative. Infused with color, marks and movement, Jennifer’s paintings are filled with energy. As a passionate observer of life and its simple beauty, she easily finds inspiration everywhere she goes. Her work is created with many layers of acrylic paint and other mixed media, always letting spontaneity & intuition guide her. As a process-driven artist, Jennifer is always exploring new styles through continuous experimenting…change is the only constant in her work.

TIME COLLECTION

Time. It’s everything and nothing...lost and found...little moments and lingering eras…fleeting and stagnant...created and wasted...a gift. Jennifer’s ‘time collection’ is a colorful and serene portrait of our encounters with time.

Jennifermchughart

Instagram.com/Jennifer Mc Hugh

CABANAS AND COCKTAILS

Artist Statement:

I'm a landscape lover pulling inspiration from regional areas and nature for my creative choices; translating the beauty and atmospheric feeling of these places into marks, color, and texture that often result in dramatic shapes, expressive line work, and visual tension.

Though I use reference photos that I’ve taken from my travels for inspiration in the studio, I don't always focus on creating a loose rendition of a photo. Sometimes I will instead deconstruct the image in a very abstract way and infuse my painting with the feeling or ‘mood’ of these places, creating a comforting familiarity or nostalgia for viewers who have also visited these iconic destinations.

Most of my travels take me to my two favorite regions that couldn’t be more opposite: the SoCal desert and Hawaii. Aside from their differences, they have one alluring thing in common: time has a way of standing still and you find yourself getting lost in your surroundings. It’s that feeling of being away on vacation—relaxing, wandering, exploring, indulging—that I enjoy “bottling up” into my work.

Kristengueststudio.com

Instagram.com/Kristen Guest

LUMINOSITY

My paintings contain layers of glazes with collage, inspired by the ever-changing sea and sky of the California coast.

You’ll notice iridescent paint reflecting the light differently throughout the day, an elegant chameleon effect. My hope is to bring a glimpse of Nature’s light and colors to you when you are indoors.

Wabi-sabi is the Japanese philosophy of embracing imperfection, both in art and in life, and I bring this to my work with varied drips and textures.

I first picked up a paintbrush in 2020. Since then, I’ve studied abstract painting, full time, taking courses with five different artists whose paintings are collected internationally. In 2021, I completed more than 500 color studies, developing and documenting formulas for my harmonized paint mixes. This means that you will find that my paintings, no matter when painted, have a pleasant harmony with each other.

I’ve exhibited locally at the Newport Beach Art Exhibition and the Huntington Beach Art Center. My work was featured on the postcard for the 2022 Inspired Exhibition at the Huntington Beach Art Center, and on the banner hung outside the Center on Main Street.

Instagram.com/kerry klaassen

“ SUNSHINE SUMMERS “

Artist Statement

Transporting us back to the carefree days of "sunshine summers," Joyce Legate's collection is a nostalgic journey rooted in her upbringing along the beaches of southern California. It reminisces a time filled with carefree activities like blowing bubbles, swimming, and laughter on swings—an era brimming with uninhibited joy.

Each painting in this collection follows the distinctive style of "abstract realism," seamlessly blending the spontaneity of abstract expression with the meticulous precision of realism. The harmonious color palettes, thoughtfully chosen, exude a refreshing and playful ambiance, reminiscent of sun-drenched moments.

While Joyce appreciates various forms of artistic expression, she has discovered artwork that brings a smile to her face and evokes a sense of familiarity with the suburban world. Her intention is to trigger nostalgic memories of childhood that elicit a joyful response from viewers.

In addition to being a featured artist at Sandstone Gallery, Joyce is also represented by the San Clemente Art Gallery and Chroma Collective Gallery (online). You can explore her works at the following links:

Joyce's art has been selected for several juried exhibitions in Orange County and is cherished in private residences and businesses across the United States and Canada.

For more information about Joyce Legate and her artwork, please visit:

Website: https://www.joycelegatestudio.com/

Instagram: https://www.instagram.com/joycelegatestudio/

Artist Bio

My name is Stephen Alexander Rybacki. I was raised in Rancho Cucamonga CA, and currently reside in La Verne CA. In the spring of 2009 I received my Bachelor of Fine Arts degree at California Polytechnic University Pomona. My goal was to further gain knowledge of media and technical hand skills in painting, drawing, ceramics, and sculpting. Out of school my immediate focus with my art was to expand my techniques, materials, illustration skills, as well as meet new people in the art community.

     While moving through my body of work over many years, I found my strongest asset became texture and media on the surface of my work. I began to develop a love for new material I began experimenting with, sheet metal. With the mentorship from local artist Fr. Bill Moore, I spent the next years experimenting and trying to control rust/oxidation on the surface of the metal, as well as incorporate the rust into compositions on different surfaces. 

    I am currently working to fine tune and focus on the delicate texture and colors of rusted objects, as well as how to isolate the beauty of the natural oxidation process. A rusty metal grate that has been outside for months often goes unnoticed. I find myself spotting these elements in my life daily and using them as my main inspiration to create my art. 


StephenRybackiArt.com

Instagram.com/StephenRybackiArt

“ OLIO “

Artist Statement

My work is the result of an ongoing experimentation merging collage and painting. I remain constantly intrigued by the juxtaposition of fine arts and crafts. I employ craft materials and techniques in an elevated and thoughtful manner by creating compositions that are modern and fresh using materials that are familiar and timeworn.

Vintage. Modern. Graphic. Textural. Complex. Ordered. Colorful. Earthy. Architectural. Organic.

Harnessing and arranging the ephemera and olio of curiosities collected and coveted. Elevating the mundane and challenging the expected with a visual vocabulary that is diverse and direct.

My voice is authentic and single-minded in its clarity and vision.

I’m proud to share my work with others and open their eyes to new ways of thinking about the everyday materials that pass through their life and the emotional connections they have to the relics and keepsakes of their personal history.

Bio

Katherine is a native Californian and for more than 30 years, an adopted Oregonian. She received a BFA with an emphasis in design from California State University at Long Beach. Katherine has worked as an interior architectural, graphic, and lighting designer in San Francisco, Los Angeles, and Portland, Oregon. She returned to her fine art roots in 2009 and has exhibited in numerous shows and galleries in Oregon, California, Wisconsin, and North Carolina. Katherine’s work can be found in corporate and private collections throughout the United States. She paints and creates from her studios in Lake Oswego, Oregon, and Indian Wells, California.

Katherinemead.com

Instagram.com/Katherinemead

TEENA ZEREFOS - JANUARY 2024

THE LIGHT AND THE VESSEL

ARTIST STATEMENT:

Teena Zerefos is an Australian contemporary artist known for her captivating modern abstract works inspired by the Mediterranean and her Greek Island heritage. Teena was instinctively drawn to the deep majestic blues of the Aegean Sea and the vases and trinkets that adorn the tiny village in Greece that her family is from. "It feels like coming home holding a brush with a magnificent cobalt blue, and this art I call ‘Mediterranean Abstract’ flowed through me like light onto the canvas”.

Her artwork is a contemporary blend of past and present fusing her cultural heritage with Modern Australian Art.

The theme of vase is a representation of growth and the capacity to receive “After a period of transformation in my own life, I wanted to express my journey through the imagery of the vessel, a vehicle for change. This collection 'The Light & The Vessel’ is about resilience and growth through pain and progress, the vase is the self, and the abundant leaves express the growth endless possibilities that come from life’s transformations”.

TEENA ZEREFOS BIO:

Teena is from Sydney Australia and has a background in Fabric & Fashion Design. She studied at the University of NSW and was an international student the University of California Santa Barbara majoring in Art & Film Studies. Teena is now a full-time Artist residing in Bondi Beach painting and living her dream.

Her recent exhibition at The Affordable Art Fair in Melbourne Australia, held in August, showcased her work with Sketch Co. Gallery and was a sold out success.

​Teena's unique approach to blending vibrant colours and organic shapes has earned her recognition as a finalist in Australia's prestigious 40 Under 40 Art Prize which she was featured in earlier this October.

​Her latest exhibition at the Internationally esteemed The Other Art Fair at The Cutaway Barangaroo was a huge success, with art collectors from around Australia purchasing her latest collection and which the show recieved critical acclaim.

Byteena.com

Instagram.com/Teena Zerefos